5-Animal Play Question 4 - Part 2
(Continued from Part 1)
These external chi flow movements developed independently before I read about Five-Animal Play. At that time I had no idea chi flow was the ingredient that overcame pain and illness. Like most chi kung masters, I thought my students overcame their illness because of the chi kung exercises I taught them.
Around this time there was talk about self-manifested chi movement from China. A world famous chi kung master, Sifu Yan Xin from China, transmitted chi to hundreds of students by merely talking in lectures, with the result that the audience went into self-manifested chi flow movement, and later recovered from various diseases. I could relate this self-manifested chi movement to the external chi flow movement of my students in my early chi kung classes.
Then I read more about Five-Animal Play and came to a conclusion that what was called Five-Animal Play in the past was called self-manifested chi movement in the present. Years ago, I had read about Five-Animal Play by Hua Tuo, but at that time I thought Hua Tuo imitated the movements of five different animals and taught the animal movements to his patients. The concept of Five-Animal Play from what I read was low level chi kung at a physical level.
Five-Animal Play and self-manifested chi movement were given a boost in my teaching when a chi kung master from Alor Star worked for Advanced Service in Sungai Petani founded by me and two other partners. He taught Soaring Crane Chi Kung which led to self-manifested chi movement. Later this master betrayed me and left, but vigorous external chi flow movement became increasingly important in my teaching. The emphasis of my chi kung teaching also gradually changed from enhancing martial arts to overcoming illness and contributing to good health, vitality and longevity.
At first I called these vigorous external chi flow movements induced chi flow. But when Douglas, my most senior student in the West, commented that other types of our chi kung, like Eighteen Lohan Hands and One-finger Shooting Zen, also induced chiu flow, I changed the term to self-manifested chi movement.
Hence, it can be seen that Five-Animal Play has played a vital role in the development of our chi kung, including our concept and practice of chi flow. In the process, it has contributed greatly to both the philosophy and practice of our chi kung training, including in our various kungfu styles.
At the beginning our chi kung was hard and martial, and we called our chi flow internal force. With the influence of Five-Animal Play and its modern equivalent of self-manifested chi movement, while maintaining its hard and martial features, our chi kung has become more flowing, even in our kungfu training, to the extent that some people wonder why our Shaolin Kungfu is not hard and external.
We also have gradually shifted our emphasis from combat efficiency to first overcoming illness and maintaining good health, next to vitality and longevity, and eventually to peak performance and spiritual joys.
Our chi flow, much influenced by Five-Animal Play and self-manifested chi movement, has made us ridiculously cost-effective. We can achieve in months what even past masters took years to achieve.
Our development led us to our understanding that it is chi flow, and not the chi kung exercises, that enables practitioners to overcome pain and illness, and to contribute to good health, vitality, longevity, mental freshness and spiritual joys. In kungfu training, we also understand that it is chi flow, not the exercises themselves, that enables us to develop internal force, which in turn maintains life, enhances life and enables us to have better results no matter what we do!
Chi flow has become a hallmark of our school. As Tim Franklin rightly pointed out, people in future would identify our school by our unique characteristic of chi flow. Five-Animal Play has contributed much to these wonderful benefits of the chi kung practiced in our school.
(Continued from Part 1)
These external chi flow movements developed independently before I read about Five-Animal Play. At that time I had no idea chi flow was the ingredient that overcame pain and illness. Like most chi kung masters, I thought my students overcame their illness because of the chi kung exercises I taught them.
Around this time there was talk about self-manifested chi movement from China. A world famous chi kung master, Sifu Yan Xin from China, transmitted chi to hundreds of students by merely talking in lectures, with the result that the audience went into self-manifested chi flow movement, and later recovered from various diseases. I could relate this self-manifested chi movement to the external chi flow movement of my students in my early chi kung classes.
Then I read more about Five-Animal Play and came to a conclusion that what was called Five-Animal Play in the past was called self-manifested chi movement in the present. Years ago, I had read about Five-Animal Play by Hua Tuo, but at that time I thought Hua Tuo imitated the movements of five different animals and taught the animal movements to his patients. The concept of Five-Animal Play from what I read was low level chi kung at a physical level.
Five-Animal Play and self-manifested chi movement were given a boost in my teaching when a chi kung master from Alor Star worked for Advanced Service in Sungai Petani founded by me and two other partners. He taught Soaring Crane Chi Kung which led to self-manifested chi movement. Later this master betrayed me and left, but vigorous external chi flow movement became increasingly important in my teaching. The emphasis of my chi kung teaching also gradually changed from enhancing martial arts to overcoming illness and contributing to good health, vitality and longevity.
At first I called these vigorous external chi flow movements induced chi flow. But when Douglas, my most senior student in the West, commented that other types of our chi kung, like Eighteen Lohan Hands and One-finger Shooting Zen, also induced chiu flow, I changed the term to self-manifested chi movement.
Hence, it can be seen that Five-Animal Play has played a vital role in the development of our chi kung, including our concept and practice of chi flow. In the process, it has contributed greatly to both the philosophy and practice of our chi kung training, including in our various kungfu styles.
At the beginning our chi kung was hard and martial, and we called our chi flow internal force. With the influence of Five-Animal Play and its modern equivalent of self-manifested chi movement, while maintaining its hard and martial features, our chi kung has become more flowing, even in our kungfu training, to the extent that some people wonder why our Shaolin Kungfu is not hard and external.
We also have gradually shifted our emphasis from combat efficiency to first overcoming illness and maintaining good health, next to vitality and longevity, and eventually to peak performance and spiritual joys.
Our chi flow, much influenced by Five-Animal Play and self-manifested chi movement, has made us ridiculously cost-effective. We can achieve in months what even past masters took years to achieve.
Our development led us to our understanding that it is chi flow, and not the chi kung exercises, that enables practitioners to overcome pain and illness, and to contribute to good health, vitality, longevity, mental freshness and spiritual joys. In kungfu training, we also understand that it is chi flow, not the exercises themselves, that enables us to develop internal force, which in turn maintains life, enhances life and enables us to have better results no matter what we do!
Chi flow has become a hallmark of our school. As Tim Franklin rightly pointed out, people in future would identify our school by our unique characteristic of chi flow. Five-Animal Play has contributed much to these wonderful benefits of the chi kung practiced in our school.
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