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Hello all together
I thought that I'll share a poem for once
I really love this one, if you truely understand it in all its depth, you'll get all you need to know....
HEART OF THE BUDDHA
by Hsu Yun
No need to chase back and forth like the waves.
The same water which ebbs is the same water that flows.
No point turning back to get water
When it's flowing around you in all directions
The heart of the Buddha and the people of the world...
Where is there any difference?
---------------------------------------------------------------------------------------------- He who knows much about others may be learned, but he who understands himself is more intelligent. He who controls others may be powerful, but he who has mastered himself is mightier still.
thank you for sharing this poem.
It indeed reminds me of many important aspects of cultivation,
that monk or laymen each have great opportunity to cultivate,
and that the treasure of humanity lies in our everyday, we need not "escape'.
If anyone is interested in finding the original works the characters for Hsu Yun Da Shi (xuyun dashi) are 虚云 大师 in simplified and 虛雲 大師 in traditional
characters.
I am interested and inspired to learn more about this great master!
Best Wishes,
Adam
Last edited by Adam Kryder; 25 September 2008, 03:03 AM.
Some of the teachings of Xu Yun can be found here
and a collection of his poems here
Kindly Pat
---------------------------------------------------------------------------------------------- He who knows much about others may be learned, but he who understands himself is more intelligent. He who controls others may be powerful, but he who has mastered himself is mightier still.
I have only just discovered this thread and I'm glad I have. I've loved Zen poetry for a long time but never quite thought about them in the way you put it, Racheli - I like that idea of editing fragments of reality together.
Here's a fragment, a poem by a poet I love more than almost any other, Ryokan. I've only ever read him in translation but he shines through even in prosaic translations.
The thief left it behind:
the moon
at my window.
-- It occurs to me at this moment that one thing I love about Zen poems is that they very often work on a spiritual level but simultaneously on a very human level - in fact they show that those levels aren't opposed. The infinite within the mud. The infinite even in a moment like when you get back to your house (or hut) and find it's been burgled... This poem works on many levels.
The splendor of the world is just an empty dream-
gathering and scattering, life and death:
bubbles in the water.
My only desire is to wander in Anyang*.
*Another word for Amitabha's Pure Land, where one is at ease and well-nourished.
Daegak Euchon
I think this brings up many interesting points, about cultivation.
Looking forward to any responses, ideas, discussion, etc...
Thanks for this poem, Adam. Anything that helps me turn my mind towards Sukhavati is welcome indeed.
When the poet writes, "My only desire is to wander in Anyang" I think about my own. It reminds me of an article by your Siguma Emiko, "The One Wish."
I had written that my one wish is to enjoy my life, but I wonder if I shouldn't rephrase it to match this poet's: "my one wish is to go to the Western Paradise."
Poetically speaking, I love the imagery of "gathering and scattering." I cannot help but think of flower petals. And, of course, the bubbles in water make me think of champagne.
If only I had the genius of a cabbage
or even an onion to grow myself
in their laminae from the holy core
that bespeaks the final shape. Nothing
is outside of us in this overinterpreted world.
Bruises are the mouths of our perceptions.
The gods who have died are able to come
to life again. It's their secret that they wish
to share if anyone knows that they exist.
Belief is a mood that weighs nothing on anyone's
scale but nevertheless exists. The moose
down the road wears the black cloak of a god
and the dead bird lifts from a bed of moss
in a shape totally unknown to us.
It's after midnight in Montana.
I test the thickness of the universe, its resilience
to carry us further than any of us wish to go.
We shed our shapes slowly like moving water,
which ends up as it will so utterly far from home.
Regarding the Daegak Uchon poem, having one's only desire to be in the Pure Land isn't in itself a sign of an awakening (in my opinion, that is). I would have thought that after experiencing an awakening one would be both aware of the transitory and illusory nature of this world, and also of its beauty and magic.
One of the key things I love about Zen poetry is its ability to celebrate and evoke some particular thing in this world - and also point beyond it. Like observing the sound of an insect, or the splash of a frog - the 'isness' of that thing, but also a meaning beyond that particular moment. Infinity in a grain of sand, if you like.
Someone who simply yearns not to be in this life would seem to me to be someone who has not had an awakening. What do other people think about that?
Being comfortable and awake and joyful in the current moment seems to me to be more of a sign of awakening than yearning to be in the Pure Land - because the ultimate is here now, if only we were awakened to it. Right?
As for Jim Harrison, the fact that he says 'nothing is outside of us' gives me a clue that he might have experienced an awakening. The realisation that we are part of God, that in a way we are God and nothing is outside us...
Anyway, those are my musings this blue frosty twilight here in England (in the midst of a marvellously wintry winter).
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